Well, I know that a lot of you out there–and myself as well–have waited for the release of the movie I’m reviewing this week for 15 years, and I’m happy to say that for the most part, we were well-rewarded for our patience. It’s time to grab your favorite superhero costume (but preferably one without a cape) and take a look at Incredibles 2!
Pretty much ignoring the large gap between films (you can check out my thoughts on the first one here), Incredibles 2 starts off right where the first movie left us, with the Parr family engaged in battle with their latest supervillain threat, the Underminer. When their attempt to apprehend the bad guy goes south, however, it turns into yet another public relations disaster for the government, resulting in the Superhero Relocation Program being shut down and the family out of options. But as luck would have it, they’re approached by a wealthy philanthropist and superhero fan who wants to make heroes legal again–with Helen, a.k.a. Elastigirl, leading the charge. As Bob struggles with adjusting to being a stay-at-home dad and sitting on the sidelines, Helen campaigns for superhero rights until she encounters the Screenslaver–a shadowy figure using hypnosis technology bent on keeping supers illegal for good. Screenslaver’s evil plans end up putting the entire family in jeopardy once again, and once again they only way they’re going to stop him is by joining forces–and making some new friends.
Right off, I have to say that Incredibles 2 does a great job recapturing the fun and spirit of the original movie. The magic is definitely still there, and it even adds a few new quirks by introducing other supers outside the Parr family (other than Frozone, who still remains a major fixture of course), and taking some shots at other elemental tropes of superhero culture. Just like the famous “no capes” speech in the first movie, I thought some of the ideas put forward here–like a cost-benefit analysis of superheroes–was both humorous and made a lot of sense when you think about it. Once again, Incredibles 2 challenges some of our preconceived notions about heroes in a way that DC and Marvel just don’t do. The idea that Elastigirl should be the face of the superhero rights movement because her power set is far less destructive than that of her husband or children was something I’d just never thought about, but is perfectly logical. Hats off once again to director Brad Bird for having the vision to talk about these things.
On that subject, I loved how the female characters took center stage in Incredibles 2 as well. Sure, in The Incredibles all the characters got their moment in the spotlight, but let’s face it, it was a male-dominated film, with Bob and Dash being the primary characters of note. The roles were interestingly reversed in Incredibles 2, with Bob being forced to sit out and hold down the fort at home while Helen got the lion’s share of the action scenes. Given all the controversy and conversation today about the treatment women receive in society, I thought a movie focused on female characters–especially female superheroes, who don’t get as much attention as they should–was quite timely and well-done. It even tackled the sometimes-controversial issue of the stay-at-home dad, too, and I really understood Bob’s struggle with being happy for his wife while also feeling a bit left out and abandoned. But the good news was he really pulled it together in the end. It would have been too easy to just say Bob was a failure of a parent until Helen came back to clean up his mess and save the day, but instead we saw him really put in the extra effort to become just as effective a parent as she was. Nice to see the harmful stereotypes avoided in this case, on both sides.
While Helen was pretty much the central character of the film, Violet also got plenty of time in center stage after only being a truly effectual hero for about half of the first movie. We saw a lot of personal growth in her character in Incredibles 2 and I liked it a lot. She’s more confident with her powers, but still faces the same personal issues after her love interest Tony gets mind-wiped and she’s back to square one with him. The whole incident brought her and Bob closer together, and I thought it was a nice touch too. The first movie built her hero confidence, and this movie built her human confidence. I just thought it was very well handled and another nice touch.
I will admit that I had some issues with the movie, though–one of them having to do with characters. Does anyone know why Dash was in this movie? Like, at all? I don’t think I can name a single truly significant thing he did to move the plot forward, except for maybe steal the Incredibile, which anyone could really have done. With all the growth the other characters got in the film, I was really hoping Dash would get thrown a bone at some point, but he seemed curiously left out of the main storyline, barely got to show off his powers, and appeared to be pretty much an inconvenient afterthought who just got dragged wherever the action was. It was a little disappointing. I mean, come on: the baby got more screen time than him! Although granted, Jack-Jack’s wild powers gave the story the hint of absurdity and levity that it kind of needed.
This was a much darker movie than The Incredibles really, but of course not so dark that you wouldn’t want kids to see it. It’s still a family film, but the themes are a lot headier and the goals set higher than the first movie–and I’m sorry to say that at times Incredibles 2 buckles under the weight of everything it was trying to do because it was just trying to do way, way too much. The one ball I can really target as being dropped here was the villain. Compared to the larger-than-life, gleefully evil fanboy villain Syndrome from the first film, Screenslaver failed to live up to my expectations and just wan’t anywhere close to as compelling or interesting. Part of this was because the bad guy lacked any kind of genuine connection to the main characters–a condition for forming the most meaningful antagonists in my view. Otherwise, why should the audience care about them when they’re just an obstacle and not a person, too? The idea of creating a villain that could be anyone, anywhere, at any time was an interesting one, but as DeVoe from The Flash Season Four could probably tell you, it just doesn’t work out in practice when you don’t have a face for your bad guy. Audiences can’t connect with that.
And can anyone explain the evil plan here to me? I kind of understood the broad strokes, and as the movie’s going on you certainly aren’t compelled to think about it too much, but afterward it made less and less sense the more I picked it apart and the logic crumbles under scrutiny. The reveal of Evelyn Deavor as the true face of Screenslaver wasn’t even a surprise to me–I saw it coming a mile away and I bet everyone else did, too–and she didn’t have enough personality to really make me care anyway. It was just a very meh part of the movie. I’ve said it before, and I’ll say it again: a story is only as good as its villain. And compared to Syndrome’s over-the-top but brilliantly simple plan from the first film, Incredibles 2 failed to live up to my lofty expectations.
My Rating: 7/10
Maybe I’m rating it a little harshly here, but the fact is I just wouldn’t want to rewatch Incredibles 2 over and over again like I do the original movie: it’s a little too ambitious and bites off more than it can chew, and a few elements of the story just fall flat on their face upon closer scrutiny. That said, I think the creators of the film were deliberately trying to go all-out and top themselves, and in other aspects (like the strong female leads and discussion of family issues), it succeeded in following its predecessor’s footsteps and improving upon them. I wouldn’t say Incredibles 2 is necessarily incredible, but it’s still pretty good, and if you liked the first one, odds are you’ll think the follow-up is a pretty fun ride worthy of the name.