Review of the Week–Ant-Man and the Wasp

Howdy y’all! I’m back!

I don’t know about you, but the Marvel Cinematic Universe has been kind of getting me down lately. The last couple movies have tackled some pretty heavy stuff, and I’ve been really feeling a desire to lighten things up a bit. So in that spirit, look no further than the latest installment in the MCU, Ant-Man and the Wasp!

In the follow-up to 2015’s Ant-Man and 2016’s Captain America: Civil War, Scott Lang–formerly the shrinking superhero Ant-Man–is under house arrest after going renegade in the events of Civil War. Having hung up the costume for two years and focused on taking care of his daughter, Lang is pulled back into the world of superheroics by a vision of Janet van Dyne–the former superheroine Wasp, long believed to be dead. Joined once again by scientist Hank Pym and his daughter Hope–who now suits up and fights crime as the new Wasp–Lang embarks on a journey into the mysterious Quantum Realm to rescue Janet, but runs into complications in the form of a gang of criminals after Pym’s technology and a new super-powered villain, the Ghost. This time, Lang can’t go it alone, and it’s up to Ant-Man and the Wasp to team up and save the day.

I expected Ant-Man and the Wasp to be some lighter fare than your standard Marvel movie–not that they’re not all fun in their own ways, but still–and be sort of like a goofy buddy-cop superhero movie, much like how the original Ant-Man was a heist movie with superheroes. And for the most part, I pretty much got exactly what I thought it would be. There’s plenty of laughs here for the taking–I guess that’s the benefit of having a bizarre power like shrinking and growing–and it makes for some pretty cool fight scenes, too. I have to say, it’s nice to watch a Marvel movie where for once the fate of the universe isn’t in the balance and we can just enjoy some wholesome, good-old-fashioned fun. This is why I have a respect for the Adam West Batman of the 1960s–they acknowledge that the whole premise of costumed people running around saving the day is inherently ridiculous, and don’t hold back on that account. Basically, if you liked the first Ant-Man, you’ll probably like Ant-Man and the Wasp–but on the flip side, if you didn’t it’s more than likely that you probably won’t see anything here that will change your opinion. I’m still not sure how Ant-Man fits into the Marvel universe as a whole. Sometimes I think it’s just a joke property and a sideshow to lighten things up, which is fine–but then it gets drawn into big, complicated and heavy events like Civil War and Infinity War and I don’t know what to think. That post-credits scene certainly was a sobering one (sorry, not spoiling that part!).

Anyway, one thing that certainly was an improvement over the first movie was the villain–can we really call Ghost a villain? She was just driven by a desire to survive and right the wrongs that were done to her, and she didn’t want to take over the world or anything. She was just willing to do whatever it took, including murder, to ensure that she lived. That’s pretty relatable as far as Marvel bad guys go, so I’m calling that a win. I guess you could lump Foster in there with her too, and he was even more relatable because of his obvious moral scruples about what they were doing and the father-daughter bond they shared.

On the other hand, Sonny Burch and his gang of thugs weren’t nearly as well developed–aside from their greedy, generic motivations, which I guess is pretty realistic as far as that goes, they were just clowns meant to be Ant-Man and the Wasp’s punching bags. Not much to say there. Oh, and of course the side characters were pretty static but entertaining, especially the odd-duck FBI man Jimmy Woo. All in all, who really developed in the film? I can’t say anyone specifically. Even Hank Pym, despite various hints at his misdeeds in the past, kind of gets let off the hook for the most part and avoids serious consequences. So that’s not so great. It doesn’t really detract from the movie, but it doesn’t add to it, either.

The most stand-out character in the cast was easily Evangeline Lilly as Hope, who was a natural sliding into her role as a costumed hero. I’m really glad this happened because as it is, Marvel is short on female heroes, and especially ones with such a genuinely powerful backstory and compelling reasons for doing what they do. I was also happy to see her character expanded on from the previous movie, where she didn’t really do much outside of providing tech support for Scott. And of course I still like Paul Rudd in the lead role–let’s face it, he’s a pretty easy guy to like. Sometimes I’m not entirely sure that I can really see him in the role of a skilled crime fighter (especially without so much as a montage showing him and Hope training together, like, ever), and the focus of this movie on the family-friendly, cutesy side of his character didn’t necessarily help me with that. I mean, in fairness, his daughter is adorable and he’s great with her, but he just sometimes seems too soft to be a superhero. But I digress.

The only thing I truly had a huge problem with in Ant-Man and the Wasp was that the writers, multiple times in the movie, committed one of the cardinal sins of storytelling: the exposition dump. When you introduce a new character, your first approach shouldn’t be to simply have that character give a ten-minute spiel about why they’re so important. Showing, not telling, is key in a well-written story. So instead of having Foster just talk about his work with Pym, or have Scott go on and on about his house arrest or former hero training, why not actually show it? Or just maybe hint at it through dialogue and let the audience figure it out for themselves. Ugh. I’m sorry, it just drove me crazy.

My Rating: 7/10

While not necessarily one of Marvel’s stand-out movies, Ant-Man and the Wasp is perfectly serviceable family-friendly entertainment that will keep viewers engaged and amused throughout. I still think I liked the spunk and edge of the original Ant-Man film better, but this was a pretty good follow-up that plants the characters much more firmly within the Marvel universe. It may be a bit too light-hearted and sappy for some, but it was in the end exactly what Marvel billed it to be: a palate-cleanser between the massive halves of the Infinity War saga, and one that makes you smile nonstop along the way.


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